Emily Callihan Dec 29, 2017

We have all read the story in which the “classy detective with a sixth sense and an addiction,” accompanied by his “naive sidekick,” deduces that the “suicide case,” closed by the “bumbling policeman,” is obviously a murder. The author invokes “stormy skies” which reflect the detective’s mental state as he confronts a “secret from his past,” leading inevitably to redundant sequels, poorly parroting the style of the Agatha Christie or Sir Arthur Conan Doyle. These well-worn clichés constitute the matter of what Annie Dillard would call dishonest literature.

Adam Andrews Oct 12, 2016

You get what you deserve. That’s the way it is supposed to work, and that’s the way I like it. That’s what I discovered about myself this last summer while reading Crime and Punishment. I also found out that for a spine-tingling, hair-raising psychological murder mystery, you can’t do better than Dostoyevsky.